Skip to main content

visioneternel: 2017 is all about celebrating Vision Éternel’s...



visioneternel:

2017 is all about celebrating Vision Éternel’s 10-year anniversary. This image right here is from the vault and it dates back to the summer of 2009, before Vision Éternel had any official promotional pictures. This image was used on Abridged Pause Recordings’ website after the band was signed and served as the official band picture. The logo was designed by Jeremy Roux and the artwork was taken from a never-released cassette release.


from Tumblr http://ift.tt/2frix9T
via IFTTT

Comments

Popular posts from this blog

Artist Shows That Putting Googly Eyes on Inanimate Objects Never Gets Old

Ah yes, eyebombing, the street art equivalent of drawing a funny mustache on Mona Lisa. So ubiquitous it’s impossible to credit anyone for inventing it… and yet for some reason it never quite stops being hilarious? Or maybe it’s just me. Probably just me. Vanyu Krastev of Eyebombing Bulgaria helps keep it alive. (via Tastefully Offensive , Quipsologies ) Update: Did you know there’s a Googly Eyes Foundation ? Supposedly they will even send you free googly eyes . Powered by WPeMatico The post Artist Shows That Putting Googly Eyes on Inanimate Objects Never Gets Old appeared first on onArt magazine . from onartmag http://ift.tt/2rgaEHL via IFTTT

Zoe Leonard at Gisela Capitain

Artist : Zoe Leonard Venue : Gisela Capitain, Cologne Title : Misia, Postwar Date : April 26 – May 20, 2017 Click here to view slideshow Full gallery of images, press release and link available after the jump. Images: Images courtesy of Gisela Capitain, Cologne. Photos by Simon Vogel. Press Release: Galerie Gisela Capitain is delighted to present its seventh exhibition with the american artist Zoe Leonard. In the presented group of works from 2016, themes of dislocation, statelessness and alienation are explored as both personal experiences and social conditions. 1952 or 1953 is the first work the viewer encounters in Zoe Leonard’s exhibition Misia, Postwar. It is a photograph of a photograph that shows a hesitantly smiling young woman in front of a map of Europe. Leonard photographed the black-and-white portrait from–as the title says–1952 or 1953 with a disproportionately wide, gray border, which lends a lost appearance to the likeness of the elegan...