Skip to main content

Light Barrier: A Dizzying Array of Projectors and Mirrors Creates Volumetric Drawings in Midair

No, we’re not staring down the eyes of our new insect overlords, but you could certainly be forgiven for thinking so. Instead this is the latest artwork from South Korea-based artist duo Kimchi and Chips (Mimi Son and Elliot Woods) — a piece so thoroughly layered with technology it almost defies description despite being undeniably intriguing to witness. Titled Light Barrier Third Edition, the installation is the third in an ongoing series of works that utilize a vast array of projectors, mirrors, and speakers to present volumetric light forms which materialize in a foggy haze just above the work. From their artist statement:

In this third edition, 8 architectural video projectors are split into 630 sub-projectors using an apparatus of concave mirrors designed by artificial nature. Each mirror and its backing structure are computationally generated to create a group that collaborates to form the single image in the air. By measuring the path of each of the 16,000,000 pixel beams individually, light beams can be calibrated to merge in the haze to draw in the air. 40 channels of audio are then used to build a field of sound which solidifies the projected phenomena in the audience’s senses.

The artists share that over a period of six minutes the piece plays a sequences of images that “employs the motif of the circle to travel through themes of birth, death, and rebirth, helping shift the audience into the new mode of existence.”

A more compact version of Light Barrier was first exhibited in 2014 at the New Media Night Festival, Nikola-Lenivets in Russia. The much larger version of the piece seen here was shown last year in collaboration with the Asia Culture Centre. You can explore many more of Kimchi and Chip’s experiments with light on their website.

Powered by WPeMatico

The post Light Barrier: A Dizzying Array of Projectors and Mirrors Creates Volumetric Drawings in Midair appeared first on onArt magazine.



from onartmag http://ift.tt/2qb4hTh
via IFTTT

Comments

Popular posts from this blog

Artist Shows That Putting Googly Eyes on Inanimate Objects Never Gets Old

Ah yes, eyebombing, the street art equivalent of drawing a funny mustache on Mona Lisa. So ubiquitous it’s impossible to credit anyone for inventing it… and yet for some reason it never quite stops being hilarious? Or maybe it’s just me. Probably just me. Vanyu Krastev of Eyebombing Bulgaria helps keep it alive. (via Tastefully Offensive , Quipsologies ) Update: Did you know there’s a Googly Eyes Foundation ? Supposedly they will even send you free googly eyes . Powered by WPeMatico The post Artist Shows That Putting Googly Eyes on Inanimate Objects Never Gets Old appeared first on onArt magazine . from onartmag http://ift.tt/2rgaEHL via IFTTT

Giants: A Black and White Series Captures the Complexity of the Humpback Whale

Over the last three years photographer  Jem Cresswell  has photographed humpback whales during their annual migration to Vava’u,  Tonga , swimming with the great creatures in the vast waters of the southern Pacific Ocean. Cresswell’s series Giants captures the individual personality of the great whales, each of which seem to pose specifically for his underwater camera. “I was initially drawn to the whales’ gentle nature, sheer size and the feeling of insignificance in their presence,” said Cresswell. “Over the past 3 years returning to Tonga, I have sought to capture intimate portraits of these complex and conscious animals, bringing the viewer into the world of these mystical giants.” In addition to being intrigued by the animals’ size, the Australian-based artist is also fascinated by their brains. In 2006, spindle cells, which were only thought to be present in humans and great apes, were also found to exist within the brains of humpback whales. These cells, ...