Phidala. Cut paper, gold leaf, 24″ x 30″, 2017.
Artist Eric Standley (previously here and here) laser cuts sheets of paper, creating intricately patterned forms by stacking the sheets over 100 layers high. The final works reflect classical stained glass windows, and are inspired by geometric patterns found in both Gothic and Islamic architecture. Recently these designs reference fractal geometry, a rhythmic pattern that is self-replicating.
“These rhythms are found at a cosmological scale in the ever-expanding universe, across culture and time in Gothic and Islamic architecture as well as at the profoundly fundamental building blocks of life,” said Standley. “When a DNA braid is viewed from the top-down, the layered double helix rotation abides by the golden ratio (phi). Waves along the braid conceal and reveal strata of information.”
Standley applied this golden ratio during the construction process for his pieces Kismet and Phidala. Using phi as a guide for certain compositional decisions, Standley deviated from his typically strict mathematical rotations.
Standley’s solo exhibition Strata at Marta Hewett Gallery in Cincinnati, Oh contains both of these new phi-centered works, and continues through June 3, 2017. You can see more of the artist’s works on his website.
Phidala, detail. Cut paper, gold leaf, 24″ x 30″, 2017.
Phidala, detail. Cut paper, gold leaf, 24″ x 30″, 2017.
Phidala, detail. Cut paper, gold leaf, 24″ x 30″, 2017.
Phidala, detail. Cut paper, gold leaf, 24″ x 30″, 2017.
Kismet. Cut paper, wood and gold leaf, 24″ x 24″, 2017.
Kismet, detail. Cut paper, wood and gold leaf, 24″ x 24″, 2017.
Arch 6. Cut paper, watercolor, 24″ x 28″, 2016.
Arch 6, detail. Cut paper, watercolor, 24″ x 28″, 2016.
Arch 6, detail. Cut paper, watercolor, 24″ x 28″, 2016.
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